Sammelband 1: Futura 1 bis 13 & Sammelband 2: Futura 14 bis 26

Stuttgart, Edition Hansjörg Mayer, 1966-1968. Complete two-volume set of 26 broadsides, one for each letter of the alphabet, with each edition dedicated to a single poet, artist or writer. Each volume housed in a slipcase containing 13 b/w letterpressed and offset printed folding sheets measuring 64 x 48 cm unfolded. Text in English and German. Rooted in the lowercase font Futura, the seminal publication relates to concrete and visual poetry, typography, printmaking and conceptual art.

Vol. 1: 1. Mathias Goeritz, The Golden Message, 1965; 2. Klaus Burkhardt, Coldtypestructure, 1965; 3. Max Bense, Valleyless Mountains, 1965; 4. Reinhard Döhl, 4 texts, 1965; 5. Louis Zukofsky, a 9, 1966; 6. Bohumila Grögerova/Josef Hirsal, Job boj, 1966; 7. Ian Hamilton Finlay, 5 poems, 1966; 8. Claus Bremer, Engaging texts, 1966; 9. Augusto de Campos, Luxolixo, 1966; 10. Edward Lucie Smith, Cloud sun fountain statue, 1966; 11. Dieter Rot, To read out loud, 1966; 12. Emmett Williams, Rotapoems, 1966; 13. Frieder Nake, Computer graphics, 1966. Vol. 2: 14. Carlo Belloli, Sole solo, 1966; 15. Jonathan Williams, Polycotyledonous poems, 1967; 16. Hiro Kamimura, 5 vocal texts, 1967; 17. wolfgang schmidt, 576köpfig, 1967; 18. Pierre Garnier, Six odes concretes, 1967; 19. Bob Cobbing, Chamber Music, 1967; 20. Edwin Morgan, Emergent Poems, 1967; 21. Dick Higgins, January Fish, 1967; 22. Wolf Vostell: De- collageaktionstext, 1967; 23. Herman de Vries, Permutable Text, 1967; 24. Peter Schmidt, Programmed square 11, 1968; 25. Andre Thomkins, Palindromes, 1968; 26. Robert Filliou, Galerie legitimate, 1968. Both slipcases with minimal toning and bumped edges, all inserts are in very good condition. (total 2)