Cybernetic Serenpendity, The Computer and the Arts. London, Motif Editions, 1968

Complete set containing seven lithographs after original computer-generated plotter drawings, plus a colophon page. Published in conjunction with 'Cybernetic Serenpendity' at the Institute of Contemporary Art (ICA) London held from 2 August – 20 October 1968, curated by Jasia Reichardt. It was one of the first major exhibitions on the interaction between computer, cybernetics and visual arts. Lithos on white paper, 76 x 51 cm, printed in various colours. Colophon, 46.5 x 38 cm, printed blue on white sheet.

Comprises: (1) Running Cola is Africa, Computer Technique Group 1967/68 (black). (2) Return to Square, Computer Technique Group 1967/68 (black). (3) Maughanogram/Asymmetry, Maughan S. Mason / Thiokol Chemical Corporation, Utah (red). Paper partly spotted. (4) Panel of Human Figures, William Fetter/ Boeing Computer Graphics 1968 (black). Yellowed section along top right, approx. 12 x 2 cm. (5) The Snail, Kerry Strand / California Computer Products 1967 (black). (6) Random War, Charles Csuri & James Shaffer / Ohio State University 1967 (red/black). Chipped off paper part (2.5 x 1 cm) along top margin. (7) 3D Checkerboard Pattern. Donald K. Robbins/ Sandia Corporation (blue). All prints feature light toning, folds and creases, mostly in blank margins. (total 7)