[Italian school] Seven prints: (1) Carracci, Agostino (1557-1602). Christ on the Cross

Engraving, 30.3 x 22 cm, after Paolo Veronese (1528-1588), numb. 4 in upper l. corner, signed "Carracci fe.", "Pao. Ver. in" and w. address "Hora. Ber[toldi]" in the plate in lower margin, mounted at upper corners under passe-partout. Very fine impression, w. watermark of flower in circle, w. ample margins. Smoothed-out vertical fold, otherwise very fine. (2) J.-B. Corneille (1649-1695). Bathing Bathsheba being watched by David. Octagonal etching, 26.5 x 26.5 cm (on square leaf), after Giulio Romano (1492-1546), signed "Iulieus Romanus Invenit" and "I. Corneille Iunior fecit". W. 1-line Latin caption in the plate below the image, mounted at upper corners under passe-partout. Good impression, w. narrow margins. Sm. marg. tear, traces of former mounting on verso, smoothed-out horizontal fold. Verso w. vague annotation in pen, dated 1826(?). -and 5 others, one by Theodor Krüger (act. 1613-1624) after Franciabigio (1482-1525) (w. imperfections), one by Theodorus van Kessel (ca. 1620-after 1660) after Jacopo Bassano (1510/15-1592) and a print by Simon Thomassin (1654/55-1733) after Sebastiano del Piombo (1485/86-1547).

(total 7)